It may seem a long way down from being a Canadian
Fiddling Champion to manning the pierogie display at
the local grocery store, but don't tell that to
Hamish Smaglinski.
Smaglinski ("Smag," to all who know him) was raised
by a Polish father and Scottish mother in the town
of Wilno, near Ontario's Algonquin Park. "There
wasn't much to do in winter" he recalls: "you either
ate cabbage rolls, played the fiddle, or made
snowmen to look like FBI agents on the front porches
of all the draft dodgers living in Killaloe."
The choice was made easy for him by his almost
obsessive parents, who bought him his first fiddle
at age 2, By age 6, he had won his first Ottawa
Valley Regional Junior Masters Championship - the
first of five successive titles. By age 10, he had
won adult events in Puddle Lake, Manitoba and Gore
Bay, Ontario. By age 16, we was ready to enter the
Canadian National Master Fiddling Contest, the
granddaddy of all Canadian events.
And win it he did - three times in a row. "I think
it was the trick fiddling section that always put me
over the top," he recalls without a trace of irony.
"There aren't too many people who can play Miss
McLeod's Reel standing on their heads." And, we
might add, maintaining their decorum in that posture
while wearing a kilt.
So by the time he was 20, Smag had done it all. It
was time to turn pro. His first concert, at the Port
Hood arena in the fiddling mecca of Cape Breton, was
an absolute disaster. "I was halfway through Ashokan
farewell" he recalls, "and I realized I was bored
silly. So I started holding the bow with my teeth."
To his surprise, the audience began booing him. A
similar thing happened at what was to be a
triumphant homecoming in Renfrew. "I got halfway
into Niel Gow's Lament for the death of his second
wife" he recalls, "when the urge hit me to play it
as fast as I could, just to show I could." His
manager tried all sorts of tricks - such as packing
the front row with associates holding up scorecards
- but it was obvious that he missed the adrenalin
rush of competing.
And so, by the time most people are just stating
their careers, Smaglinski found himself washed up.
"I turned to the traditional excesses of somebody
with a Scots/Polish background" he recalls. "I would
buy jarfuls and jarfuls of garlic pickles, and pay
the regular price for them." "And that was only the
tip of the iceberg." His worst moment came after he
was pulled over by Ontario Provincial Police (OPP)
officers just outside Almonte, Ontario for
committing a public nuisance. He still refuses to
provide details of the incident, but it has been
reported that his lawyer managed to get the charges
dropped after a copy of "The Complete Idiot's Guide
to being a Complete Idiot," said to be written by
Ashley McIsaac, was found in his car. (An associate
was quoted at the time saying "he was just
freebasing pickles all day long.")
He retreated to the hills of Wilno, where he was
welcomed back uncritically by family and friends. He
began attending social events, such as church
suppers organized by Our Lady of the Crispy Fried
Chicken and Cole Slaw in Cormac, and Our Lady of the
Roast Beef and Three Vegetables in Foymount. He
began to feel at ease with himself. And then one
day, an old school friend mentioned that the Barry's
Bay IGA was being renovated and transformed into a
Loeb superstore and would be hiring new staff. Would
he be interested?
He didn't have to think long or hard. "As soon as I
saw what they had in mind for pierogies, I knew I
could fit right in" he recalls. "They have every
kind - bacon and cheese, cheese and potato, bacon
and potato, plain cheese, plain bacon, plain potato,
bacon and potato and cheese...." He pauses, as if to
imply the list could go on for much longer. "I defy
anyone to match our selection." And, we might add,
he occasionally breaks out his fiddle if a customer
requests politely enough. But just don't ask him to
stand on his head, or play the Dill Pickle Rag:
"those days are over," he says emphatically.
His new autobiography, "From champ to chump, from
the dump to dumplings" is available for $10 with
every purchase of 1 kilogram or more of pierogies at
the store, located in the heart of downtown Barry's
Bay.
Some readers seem intent on nullifying the authority of David Simmonds. The critics are so intense; Simmonds is cast as more scoundrel than scamp. He is, in fact, a Canadian writer of much wit and wisdom. Simmonds writes strong prose, not infrequently laced with savage humour. He dissects, in a cheeky way, what some think sacrosanct. His wit refuses to allow the absurdities of life to move along, nicely, without comment. What Simmonds writes frightens some readers. He doesn't court the ineffectual. Those he scares off are the same ones that will not understand his writing. Satire is not for sissies. The wit of David Simmonds skewers societal vanities, the self-important and their follies as well as the madness of tyrants. He never targets the outcasts or the marginalised; when he goes for a jugular, its blood is blue. David Simmonds, by nurture, is a lawyer. By nature, he is a perceptive writer, with a gimlet eye, a superb folk singer, lyricist and composer. He believes quirkiness is universal; this is his focus and the base of his creativity. "If my humour hurts," says Simmonds,"it's after the stiletto comes out." He's an urban satirist on par with Pete Hamill and Mike Barnacle; the late Jimmy Breslin and Mike Rokyo and, increasingly, Dorothy Parker. He writes from and often about the village of Wellington, Ontario. Simmonds also writes for the Wellington "Times," in Wellington, Ontario.
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